For many editors out there working solo, the availability of plugins could be the key factor in making a decision. Resolve’s plugin system is being refined to make it easier to use, but the ecosystem around it is fairly limited. Final Cut Pro features a powerful plugin architecture, with companies like offering amazing templates. Adobe’s After Effects app holds the crown for motion artists, and Dynamic Link makes it easy to switch between Premiere Pro and AE if you are working in both apps. Motion graphics can play a big role in an edit. How well do these NLEs integrate with other applications and plugins? Of course, it depends on the applications and plugins, and how you want to use them. FCPX’s emphasis on project organization doesn’t necessarily make it the best choice for this type of work, but it’s arguably a key advantage. If you shoot and edit this style of video, it is really important that your NLE of choice gets you from the mass of footage to complete as quickly as possible because you are most likely working solo, or with a very small crew. Organizing your footage, tagging favorite sections, and keeping tabs on the good parts end up being the keys to success. You are basically writing in the edit and hoping to pull out a human interest story to engage the audience.
Do an interview, gather B-roll with a gimbal, apply LUTs, visit, and away you go! The challenge to this style of shooting is combing through the mountain of footage to find good bits and then find the story. Weddings, corporate spots, and personal stories make up much of this genre. What is each of these NLEs’ strengths when it comes to each genre? DocumentariesĪ whole lot of editors out there came into the field watching videos of short documentary-style shootings. Check out this head-to-head comparison between FCP and Premiere Pro with iJustine vs. You’ll find that the tool you are using can speed you up or slow you down depending on the material. Many editors work across different video genres, including docs, features, shorts, music videos, commercials, and more. DaVinci Resolve has always asked a lot of its users, but if you’re willing to make that commitment, it delivers. Node-based graphics allow for powerful compositing but require you to totally rethink how you work if you’re familiar with Photoshop’s layer-based style. In many ways, the timeline looks like FCP and behaves like Premiere Pro. Resolve is still young as an NLE, and Blackmagic is constantly tweaking its design. But when the user understands the software, exposing as many handles and tools as possible can really drive productivity. This stands in stark contrast to Apple’s philosophy of minimizing clutter. Blackmagic developers are not shy about putting as much information in front of the user as possible.
Intimidation stands out to many editors as the main impediment to learning Resolve.
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